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"Anne Wynter might not be who she says she is...But she's managing quite well as a governess to three highborn young ladies. Her job can be a challenge-in a single week she finds herself hiding in a closet full of tubas, playing an evil queen in a play that might be a tragedy (or might be a comedy-no one is sure), and tending to the wounds of the oh-so-dashing Earl of Winstead. After years of dodging unwanted advances, he's the first man who has truly...
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Hugh Prentice has never had patience for dramatic females, and if Lady Sarah Pleinsworth has ever been acquainted with the words "shy" or "retiring", she's long since tossed them out the window. Besides, even if Hugh did grow to enjoy her company, it wouldn't matter. a reckless duel has left this brilliant mathematician with a ruined leg, and now, unable to run, ride, or even waltz, he could never court a woman like Sarah, much less dream of marrying...
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Sir Richard Kenworthy has less than a month to find a bride. He knows he can't be too picky, but when he sees Iris Smythe-Smith hiding behind her cello at her family's infamous musicale, he thinks he might have struck gold. She's the type of girl you don't notice until the second-or third-look, but there's something about her, something simmering under the surface, and he knows she's the one.
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